• Friday 30th
  • Saturday 1st
  • Sunday 2nd
  • Exhibition
  • Event
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Speed Tour
friday
saturday
sunday
West Den Haag
8810 Tampa Avenue
friday
saturday
sunday
West Den Haag
ALLES=GOED
friday
saturday
sunday
West Den Haag
Gödel, Escher, Bach
friday
saturday
sunday
West Den Haag
Meet and Greet with Linda Overzee
sunday
Project 2.0 Gallery
Dinner session: NASMOEN GHAZI
sunday
The Grey Space in the Middle
Filling the Void
saturday
The Grey Space in the Middle
Post Hoc
saturday
The Grey Space in the Middle
Scenius: corecore
friday
The Grey Space in the Middle
Linda Overzee
friday
saturday
sunday
Project 2.0 Gallery
Garden sculpture
friday
saturday
sunday
Galerie Ramakers
TRANSIT (schilderijen)
friday
saturday
sunday
Galerie Maurits van de Laar
Solo Show, Artist: Chen Ruo Bing
friday
saturday
sunday
Chabot Fine Art
Artist Talk by Desiree Te Nuijl about spirituality in Art
saturday
Chabot Fine Art
Natuurlijk
friday
saturday
sunday
1646
Voorhout Monumentaal
friday
saturday
sunday
Pulchri Studio Voorhout Monumentaal
Jacqueline de Jong: Border…and other Lines
friday
saturday
sunday
Dürst Britt & Mayhew
Cannibal Politics
friday
saturday
sunday
Galerie Maurits van de Laar
Wim Nival: Retrospective
friday
saturday
sunday
Gallery Nono
Textile Biennale 2023. Images of Power
friday
saturday
sunday
Museum Rijswijk
Özlem Altın: Solo exhibition “Release”
friday
saturday
sunday
Page Not Found
Positions: Elsewheres
sunday
Stroom Den Haag
Duo show – Between the lines
friday
saturday
sunday
WTC The Hague Art Gallery
It Is Time to Tell
friday
saturday
sunday
Galerie Ramakers
KABK Graduation Show 2023
friday
saturday
sunday
Various
The Royal Academy of Art The Hague
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Wim Nival: Retrospective

Where?
Gallery Nono
Boekhorststraat 12
2512 CR
When?
friday 30 June
saturday 1 July
sunday 2 July

This retrospective presentation shows how Wim Nival’s view has sharpened over the years. The painterly touch gave way to what we could call the ‘emotional value of the material’, and his color palette now tends to a restrained monochromy – or rather, is often dictated by colors specific to his materials. Where Nival connects this Vorleben with his own interventions, the character that characterizes and distinguishes his works arises. Nival ‘activates’ dormant, unnoticed structures in the ordinary and everyday, the lure of rhythms, schemes and patterns. It leads to a reduced visual language that seduces but never ‘decorates’, that is well-considered-geometric, but never cooled down.